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Point break cast boy in surf shop
Point break cast boy in surf shop




point break cast boy in surf shop
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Or I’m gonna stay in bed and read a book and feel sorry for myself. “I might wake up, I’m gonna take a walk on the beach, I’m gonna be happy. “We choose how we react to any given day,” she says. Petty’s fascinating life has been faced in much the same way. Station Eleven insists on the primacy of art, of humour, of joy – however shitty things get. I’m only a few minutes into my conversation with Petty and already it’s clear why she and this particular show have gelled so well. I am not gonna have been sitting in that room doing 140 days of piano lessons not to shoot this!’ And I played the Jesus out of that song.” “Two in the morning and it starts pouring with rain. I had a nice man called Gregory who kept asking to see what I was doing with my hands.” For one scene it was scripted that Petty would play a piano solo, at night, outdoors. “Can you imagine? I had my computer on a laundry basket.

point break cast boy in surf shop

“Those piano lessons!” says Petty, remembering a gruelling schedule of Zoom-based lessons that she undertook from quarantine. Photograph: PictureLux/The Hollywood Archive/Alamy Lori Petty as Sarah, AKA ‘The Conductor’, in Station Eleven. We meet an eccentric, shaven-headed musician called Sarah, played by Petty, who endlessly composes impossibly ambitious symphonies on a salvaged piano. We meet a community of pregnant ravers who care for each other in an abandoned furniture shop. Instead it asks, why carry on at all? Station Eleven’s show-runner, Patrick Somerville, drawing from Mandel’s bestseller, introduces us to a made-over America populated by scavengers and terrifying nihilists, but also by actors, musicians, museum curators, horticulturalists, gourmands.

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It doesn’t only grapple with questions of how to carry on when times are hard.

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I don’t think I’m alone in finding Station Eleven (its penultimate episode launches on Starzplay today) the smartest, most relevant TV show of the decade so far. There was literally a plastic bubble inside the car that took you between the hotel and the set.” This was not buying cute shit in the nearest city. Not on this one! This was not hanging out with the crew. There were no bars.” She folds her tattooed arms and adds, with a grin: “Y’know what? In my experience? When you go on location to shoot? You have a good time. There was no furniture in the hotel lobby. Petty filmed her scenes in Canada, “where we were in lockdown my entire 140 days in the country. Everybody who worked on it through 20 had to contend with the eerie feeling of art and life being utterly blurred. The show was in production (and partially filmed) before Covid struck. About 18 months ago, while enduring “the severe, crippling loneliness” of someone who lived alone through the pandemic, Petty auditioned for Station Eleven just like this: squatting in front of her telly, quilt as backdrop, lighting courtesy of the Pacific sun.īased on an acclaimed 2014 novel by Emily St John Mandel, Station Eleven tells the story of a group of survivors living around Lake Michigan in the months and years after a flu-like pandemic has killed all but one in 1,000 of the world’s population.

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Both squeaky and hoarse, part Smoky Mountain preacher, part chill Cali baller, her voice puts you in mind of all the eclectic screen work past and present, whether that’s the family film A League of Their Own (1992) or the gen X classic Tank Girl (1995), the Netflix series Orange Is the New Black (2013-2019) or her superb new TV show that debuted this winter on HBO and (in the UK) Starzplay: the apocalypse drama Station Eleven. But it’s Petty’s unique way of talking that catches your attention at the outset. She has a gleeful, infectious cackle she has close cropped grey hair, occasionally dyed platinum or purple, and conspicuous sleeve tats. “Ya ready?” Petty whips away the white background to reveal the reflective glare of an LCD screen. This took a bit of stagecraft, she admits.

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Somehow, Petty has found a patch of bare whiteness that’s big enough for her to sit in front of for our Zoom call.

point break cast boy in surf shop

A row of high arched windows let in plenty of light, and just about every other spare inch of the 58-year-old’s wall space is given over to portraits, photographs, hung up hats and books.

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Lori Petty lives with her cat in a gloriously cluttered apartment in Venice Beach, a neighbourhood in southern California that she moved to three decades ago while filming the surfer movie Point Break.






Point break cast boy in surf shop